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  • Pages: 74

    Year: 2016

    Category: Literature, Poetry

    Dimensions: 210 x 148mm

    ISBN:
    Shipping class: POD

    Loud and Yellow Laughter

    Sindiswa Busuku-Mathese’s debut collection of poetry Loud and Yellow Laughter, published by Botsotso, was awarded the 2018 Ingrid Jonker prize for poetry.

    Busuku
    Mathese’s entry was described by one judge as ‘completely original: the
    presentation of family history as a play, in which the narrator is an
    unreliable character’. The poet was praised for the ‘the mix of WW2
    history, the narrator’s dilemmas about being adopted, and the way she
    manages to weave these together without ever losing her balance or
    falling into incongruity’. Another judge highlighted how Busuku
    Mathese’s ‘memoir in the form of a collage… offers fragments in several
    voices, some of them “reconstructed”. [The collection] ‘movingly
    reflects the quest of the ‘The Girl Child’, as intimate ‘curator’ of
    family memory and experience, to integrate the surprising puzzle that is
    her current self’.
    The original version of this collection was written as part of the
    poet’s Master’s thesis in Creative Writing at the University of
    KwaZulu-Natal.

    A collection of 39 pieces, some mystical and
    elliptical, some seemingly mundane snatches of prose-poetry that retain a
    poetic intensity, together they create an atmosphere of nostalgia
    tinged with a subtle yet matter-of-fact sadness. Accompanied by a series
    of graphic images, made up of old photographic portraits and scenes of
    natural beauty.

    Price range: £16.00 through £17.00

    About the author

    Sindiswa Busuku-Mathese

    Sindiswa Busuku-Mathese was born in 1990 in Durban. She was awarded
    second place for the 2015 Sol Plaatje European Union Poetry Award and
    won the Ingrid Jonker prize for poetry in 2018. 

    Review

    “this collection is a resounding debut for a poet that will
    almost certainly develop into one a standout voice in page poetry.”

    Alan Muller, BooksLive

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