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  • Pages: 292

    Year: 2020

    Dimensions: 210 x 140 mm

    ISBN:
    Shipping class: POD

    The Only Magic We Know

    Selected Modjaji Poems 2004 to 2020

    edited by Marike Beyers

    The Only Magic We Know is a celebration of all the
    poets Modjaji has published. This anthology offers a taste of the range
    and diversity of the poems that have appeared in the individual poets’
    collections. The authors include:

    ingrid andersen • marike beyers •
    melissa butler • margaret clough • christine coates • colleen crawford
    cousins • phillippa yaa de villiers • isobel dixon • sarah frost • elisa
    galgut • dawn garisch • megan hall • kerry hammerton • khadija tracey
    heeger • colleen higgs • eliza kentridge • haidee kotze • sindiwe magona
    • michelle mcgrane • jenna mervis • joan metelerkamp • helen moffett •
    malika ndlovu • tariro ndoro • azila talit reisenberger • shirmoney
    rhode • beverly rycroft • arja salafranca • karin schimke • katleho kano
    shoro • thandi sliepen • annette snyckers • jeannie wallace mckeown •
    crystal warren • robin winckel-mellish • wendy woodward • makhosazana
    xaba • fiona zerbst

    Price range: £20.00 through £21.00

    About the editors

    Marike Beyers

    Marike Beyers lives and works in Makhanda (previously known as
    Grahamstown) as a literary curator at Amazwi South African Museum of
    Literature. Being bookish by nature, things archival, library-like and
    writerly draw her. In this regard she has published two collections of
    poetry – On Another Page by Aerial Publishing and How to Open the Door
    by Modjaji Books – and is involved in editing, reviewing and working
    with a community writing project and, of course, reading. 

    Review

    “The collection brings together works by
    emerging and established artists which, through their diverse topics and
    forms, offer a vivid account of the press’s commitment to
    forward-thinking expression. The collection thus highlights as well the
    power of the short story, which, as Salafranca writes, “can evoke a
    world, a moment or a bright epiphany, that lingers and reverberates long
    after the initial reading.”

    Susanna Sacks, Africa in Words

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