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  • Pages: 62

    Year: 2017

    Category: Literature, Poetry

    Dimensions: 210 x 148 mm

    ISBN:
    Shipping class: POD

    These Hands

    This edition is a re-release of Xaba’s first
    poetry collection (first published in 2005) due to demand from readers
    and academics. A powerful, ground breaking work that placed Xaba firmly
    as an important voice the SA literary scene.

    Words
    Whenever I take the pulse
    of my existence,
    feel the pinch
    of my persistence
    against the grinding grain
    of my resistance
    to the pounding punch
    of their insistence,
    words transmit to me
    a drumroll of deliverance.

    £18.00

    About the author

    Makhosazana Xaba

    MAKHOSAZANA
    XABA is the author of two poetry collections: these hands (2005) and,
    Tongues of their Mothers (2008). Her poetry has been anthologized
    widely, translated into Italian, Mandarin and Turkish and also available
    from the Cambridge Poetry Archive. She is the editor of, Like the
    untouchable wind: An anthology of poems
    (2016). Her collection of
    collection of fiction, Running & other stories (2013), won the SALA
    Nadine Gordimer Short Story Award
    in 2014. Her short story “Running” won
    the Deon Hofmeyr Prize for Creative Writing in 2005 and was
    anthologised in, 20 Best Short Stories of South Africa’s Democracy, in
    2014. She has co-edited three anthologies; Proudly Malawian: Life
    Stories from lesbian and gender-nonconforming individuals
    (2016) and
    Queer Africa: New and Collected Fiction (2013) which won the 26th Lambda
    Literary Award
    for the fiction anthology category in 2014 and was
    translated in Spanish in the same year. In 2017, Queer Africa 2: New
    Fiction
    is coming out. Xaba holds an MA in Writing (with distinction)
    from The University of the Witwatersrand. 

    Review

    “Finally, and essentially, back in print, Makhosazana Xaba’s debut
    collection contains powerful societal critique alongside moving
    meditations on love and intimacy. Writing in incisive, unadorned
    language, Xaba confronts racism and misogyny to devastating effect. She
    then turns her hand to the intimacies that exist between women, within
    family, and between the poet and her own writing.”

    JENNY DU PREEZ

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